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3 June 2025 – Ibiza, Spain | On Monday 2 June, Ibiza experienced a new paradigm in live music performance as experience-innovator Eric Prydz unveiled his world exclusive new show ‘Holosphere 2.0’ at [UNVRS], Presenting a groundbreaking new chapter in electronic music history, created for the dancefloor, and powered by the most technically advanced venue on the planet, Holosphere 2.0 is a cutting-edge demonstration of the intersection of technology, innovation and human creativity.
THE NEXT DIMENSION
Designed from the ground up and engineered for Ibiza’s newest nightclub, Holosphere 2.0 is not a show, it’s a vision fully realised. Towering over eight metres high and weighing eight tonnes, the Sphere is the result of years of obsessive design and technical refinement, combining a live, reactive performance with a near-impossible feat of engineering.
At the heart of it all: Eric Prydz, surrounded by three transparent layers of custom LED screens, performing inside the world’s first holographic concert sphere. Unlike anything seen before in club culture, Holosphere 2.0 is an arena-scale show crafted for a dark, smoky rave environment. It's not bound by a fixed storyline. It’s alive, unpredictable, and shaped in real-time by Prydz’s ever-evolving musical selections.
"We’ve waited six years for this," says Eric Prydz. "Not because we wanted to, but because we had to. The technology needed to catch up with our vision as every single part of Holosphere 2.0 is bespoke and original. This is what we always dreamed of."
THE NEXT DIMENSION
Designed from the ground up and engineered for Ibiza’s newest nightclub, Holosphere 2.0 is not a show, it’s a vision fully realised. Towering over eight metres high and weighing eight tonnes, the Sphere is the result of years of obsessive design and technical refinement, combining a live, reactive performance with a near-impossible feat of engineering.
At the heart of it all: Eric Prydz, surrounded by three transparent layers of custom LED screens, performing inside the world’s first holographic concert sphere. Unlike anything seen before in club culture, Holosphere 2.0 is an arena-scale show crafted for a dark, smoky rave environment. It's not bound by a fixed storyline. It’s alive, unpredictable, and shaped in real-time by Prydz’s ever-evolving musical selections.
"We’ve waited six years for this," says Eric Prydz. "Not because we wanted to, but because we had to. The technology needed to catch up with our vision as every single part of Holosphere 2.0 is bespoke and original. This is what we always dreamed of."
BUILT FOR THE FUTURE
To build the Sphere, every component had to be custom made. Nothing was off-the-shelf. Engineered with precision, the structure strikes a razor-thin balance between engineering-grade strength and near-total transparency. A feat made possible by [UNVRS]’s cavernous main room and arena like-infrastructure, making it one of the only venues in the world capable of supporting it.
A dream team of animators and digital artists, including GMUNK brought the Sphere to life, blending cinematic CGI with practical effects captured in a studio in Los Angeles. Giant crystal orbs, plasma balls and burning glass were filmed in 360 degrees, laser-mapped, and stitched into immersive holographic environments — each loop a standalone digital sculpture.
The result is a generational leap forward in show content and visual fidelity. The resolution, pixel pitch, colour depth and engineering have all radically improved since the original Holosphere debuted in 2019. But be aware, this is not a sequel, it's a complete reimagination of the iconic show concept.
Joining Prydz on this monumental opening night were Rivo, J Ribbon and Bender — three rising talents who brought their own unique energy to a truly historic event
To build the Sphere, every component had to be custom made. Nothing was off-the-shelf. Engineered with precision, the structure strikes a razor-thin balance between engineering-grade strength and near-total transparency. A feat made possible by [UNVRS]’s cavernous main room and arena like-infrastructure, making it one of the only venues in the world capable of supporting it.
A dream team of animators and digital artists, including GMUNK brought the Sphere to life, blending cinematic CGI with practical effects captured in a studio in Los Angeles. Giant crystal orbs, plasma balls and burning glass were filmed in 360 degrees, laser-mapped, and stitched into immersive holographic environments — each loop a standalone digital sculpture.
The result is a generational leap forward in show content and visual fidelity. The resolution, pixel pitch, colour depth and engineering have all radically improved since the original Holosphere debuted in 2019. But be aware, this is not a sequel, it's a complete reimagination of the iconic show concept.
Joining Prydz on this monumental opening night were Rivo, J Ribbon and Bender — three rising talents who brought their own unique energy to a truly historic event
ONLY AT [UNVRS]
Conceived by The Night League, the creative force behind Ushuaïa and Hï Ibiza, and led by Owner, Founder and CEO Yann Pissenem - the venue represents a bold new chapter, part nightclub, part sculpture, part dream. Beyond its technical specs, the venue offers the creative space and freedom needed to push Holosphere 2.0 to its limits. With an arena-sized ceiling rig, bespoke lighting grid, crystal-clear L-Acoustics sound, and immersive production environment, developed in collaboration with world-renowned production company High Scream, [UNVRS] is not just a venue, it’s part of the performance. For Prydz and his team, the venue represents a perfect alignment: a radical new structure for a radically ambitious show.
Conceived by The Night League, the creative force behind Ushuaïa and Hï Ibiza, and led by Owner, Founder and CEO Yann Pissenem - the venue represents a bold new chapter, part nightclub, part sculpture, part dream. Beyond its technical specs, the venue offers the creative space and freedom needed to push Holosphere 2.0 to its limits. With an arena-sized ceiling rig, bespoke lighting grid, crystal-clear L-Acoustics sound, and immersive production environment, developed in collaboration with world-renowned production company High Scream, [UNVRS] is not just a venue, it’s part of the performance. For Prydz and his team, the venue represents a perfect alignment: a radical new structure for a radically ambitious show.
ERIC PRYDZ PRESENTS HOLOSPHERE 2.0
Mondays at [UNVRS] | 2 June – 1 September. Tickets available via www.unvrs.com
Mondays at [UNVRS] | 2 June – 1 September. Tickets available via www.unvrs.com
ABOUT ERIC PRYDZ
Eric Prydz is one of electronic music's biggest stars, a Grammy nominee and 'master craftsman and a masterful manipulator of emotions' (Pitchfork), who has stayed true to his progressive house sonic roots, while also operating under his aliases, Cirez D and Pryda. Prydz's concerts are famed for pushing the boundaries of technical live performance, evolving year to year and headlining festivals and arena shows including Madison Square Garden, Coachella, Tomorrowland, Sonar and ADE to hundreds of thousands, wowing everyone from WIRED to Mashable.
ABOUT [UNVRS]
Welcome to [UNVRS] (pronounced “Universe” - a bold new destination set to revolutionise Ibiza’s nightlife and redefine the global standard for music entertainment. Created by visionary Yann Pissenem, Owner, Founder & CEO of The Night League, Ushuaïa Entertainment, Hï Ibiza and Ushuaïa Ibiza, [UNVRS] fuses the high-end service, luxury and precision of a nightclub with the scale, infrastructure and ambition of arena-sized events.
Connecting the present with the future through cutting-edge creativity, architecture and human connection, [UNVRS] is powered by next-level technology that enables hyper-customised, fully interchangeable productions - pushing every event beyond the limits of the traditional superclub. This groundbreaking new venture follows in the footsteps of Pissenem’s award-winning, and globally acclaimed venues, Ushuaïa and Hï Ibiza, both consistently ranked among the best clubs in the world.
ABOUT THE NIGHT LEAGUE
Founded in 2001 by creative visionary Yann Pissenem, The Night League is a globally renowned nightlife & entertainment company that continually pushes the boundaries of possibility to deliver world-class music experiences. Based in Ibiza, Spain, the company operates globally and is responsible for creating cutting-edge and award-winning brands such as Ushuaïa Ibiza, Hï Ibiza, Playa Soleil, ANTS, and many more.
Frequently collaborating with the world's most influential artists, festivals and events, The Night League develops bespoke, pioneering concepts that consistently shift the dial of the entertainment industry. The company's dedicated team of event producers, venue operators, booking managers, artist management, marketing, and creative teams, expertly fuse music and art to captivate a global audience.
The Night League expanded internationally in 2024, launching the acclaimed Ushuaïa Dubai Harbour Experience, attracting over 60,000 people across five sold-out spectaculars. The growth continues into 2025 with the launch of [UNVRS] (pronounced “Universe”), set to elevate Ibiza’s nightlife and entertainment scene, opening 30th May 2025, The Night League continues to shape the future of global nightlife.
Eric Prydz is one of electronic music's biggest stars, a Grammy nominee and 'master craftsman and a masterful manipulator of emotions' (Pitchfork), who has stayed true to his progressive house sonic roots, while also operating under his aliases, Cirez D and Pryda. Prydz's concerts are famed for pushing the boundaries of technical live performance, evolving year to year and headlining festivals and arena shows including Madison Square Garden, Coachella, Tomorrowland, Sonar and ADE to hundreds of thousands, wowing everyone from WIRED to Mashable.
ABOUT [UNVRS]
Welcome to [UNVRS] (pronounced “Universe” - a bold new destination set to revolutionise Ibiza’s nightlife and redefine the global standard for music entertainment. Created by visionary Yann Pissenem, Owner, Founder & CEO of The Night League, Ushuaïa Entertainment, Hï Ibiza and Ushuaïa Ibiza, [UNVRS] fuses the high-end service, luxury and precision of a nightclub with the scale, infrastructure and ambition of arena-sized events.
Connecting the present with the future through cutting-edge creativity, architecture and human connection, [UNVRS] is powered by next-level technology that enables hyper-customised, fully interchangeable productions - pushing every event beyond the limits of the traditional superclub. This groundbreaking new venture follows in the footsteps of Pissenem’s award-winning, and globally acclaimed venues, Ushuaïa and Hï Ibiza, both consistently ranked among the best clubs in the world.
ABOUT THE NIGHT LEAGUE
Founded in 2001 by creative visionary Yann Pissenem, The Night League is a globally renowned nightlife & entertainment company that continually pushes the boundaries of possibility to deliver world-class music experiences. Based in Ibiza, Spain, the company operates globally and is responsible for creating cutting-edge and award-winning brands such as Ushuaïa Ibiza, Hï Ibiza, Playa Soleil, ANTS, and many more.
Frequently collaborating with the world's most influential artists, festivals and events, The Night League develops bespoke, pioneering concepts that consistently shift the dial of the entertainment industry. The company's dedicated team of event producers, venue operators, booking managers, artist management, marketing, and creative teams, expertly fuse music and art to captivate a global audience.
The Night League expanded internationally in 2024, launching the acclaimed Ushuaïa Dubai Harbour Experience, attracting over 60,000 people across five sold-out spectaculars. The growth continues into 2025 with the launch of [UNVRS] (pronounced “Universe”), set to elevate Ibiza’s nightlife and entertainment scene, opening 30th May 2025, The Night League continues to shape the future of global nightlife.
NOTE TO EDITORS
Both [UNVRS] and UNVRS are correct, depending on whether brackets can be used due to editorial requirements. Always add “(pronounced Universe)” after the first instance of use in all body copy: [UNVRS] (pronounced Universe).
Both [UNVRS] and UNVRS are correct, depending on whether brackets can be used due to editorial requirements. Always add “(pronounced Universe)” after the first instance of use in all body copy: [UNVRS] (pronounced Universe).
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